Photos: All we have left

My father-in-law was a hobby photographer. He loved the technical details of determining aperture, shutter speed and ISO, tracking each shot’s specifications for future reference. He took deep vistas of natural wonders and close-up studies of people, especially his wife and children.

More importantly, he inspired others to be photographers. His younger brothers loved photography as much as he did and tried to out-shoot each other. His wife took up the challenge of matching his skills and continued that calling long after he he had gotten bored with point-and-shoot technology. His older son borrowed the camera frequently until he received his own. As a result, hundreds of images in digital, slides, negatives and prints existed to help tell his life story.

My father-in-law, two years after coming to the United States, graduating from Stanford University. Photo taken by one of his younger brothers. Slide scanned and color corrected by JJS

It’s because of those *other* photographers that we have a clear record of him. He didn’t bother with self-portraits. Through his life, those who *loved* him caught him again and again doing the things he loved.

  • His intense stare as he studied a plant or a rock.
  • His loving smile with a cat who decided this man meant ‘home.’
  • His proud toiling in his yard, either weeding, watering, raking, planting, picking fruit, or splitting wood.
  • His analyzing of jigsaw pieces for a puzzle.
  • His mischievous twinkle as he blocked someone else in a tabletop game.

Photos are unique. That particular moment of time will never come again. Capture or it is lost. In my experience, lost moments are also easily forgotten.

And to be honest, it was difficult to catch a really good photo of him. So many times he had a quizzical look because he didn’t think this moment was important enough for a photo, or he’d have a big smile at the start of a group photo then fade during subsequent takes because one shot should be enough and why are we still standing around here… or he’d just keep talking so his face fell into odd contortions. So perhaps a reason why his wife and I each took bunches of pictures of him later in life was the challenge of catching a good one.

When the family realized the patriarch was terminally ill, we dealt with the news in different ways. I coped by jumping into my digital image collection and searching through all pictures of him. Finding and collecting those solid reminders of past memories sustained me through the inevitable decline. Next I turned to my mother-in-law’s camera phone, where she had followed him through his mundane habits. A morning of dividing day-lilies, a lunch with his signature whole-grain bread, an afternoon puzzling through bills. Candid images to avoid his dismissive ‘what are you doing’ frown.

I can’t thank her enough for those pictures.

The highlights went into a slideshow of my father-in-law’s life which looped silently through the reception after his memorial service. Almost 250 photos told his very interesting life story. The photos in exotic locales were impressive, but the photos in familiar places doing familiar tasks were endearing.

Why shouldn’t we celebrate the tiny moments? And when those moments are gone, let’s enjoy the memories of what was. Not to dwell too much on them or futilely wish we could go back, but to smile at the memories and make connections to today.

Here’s to the photographers, the chroniclers, the memory-keepers. Capture the little things so we may hold them dear.

Young man

Photography: A Different Lens

A professional photographer I know said he heard this question a lot: “What’s the *best* camera to have?” 

His answer? “The best camera is the one you have at the moment.”

In other words, capturing the moment with any camera is better than not capturing the moment at all.

I get a little comfort out of that these days, when the camera I can use is my cell phone camera. Granted, it’s a darn good camera, I just wish I could control the depth of field to focus tightly on what the story is about.

Gonzaga’s staff photographer, Zack Berlat, caught a great pic of me in 2018 capturing SEAS students at our first Welcome Walk. I’m using our family’s SLR digital camera, and only having a little issues with the viewfinder.

Since then, my nearsightedness has gotten worse. I can still frame a photo well; I just can’t isolate the subject. People and things in the background are just as sharp as the subject, so the picture is ‘cluttered.’

I remember someone else saying photography is about the ideas and the passion you bring to it. So those ideas and passions are going into something I still do really well — photo editing in Photoshop. I use several masked layers and filters to highlight the story of a photo, playing with the lighting and saturation to make the event as vibrant as I remember.

I’m still taking candid photos at work, such as students at work or the SEAS Orientation picnic. They’re just not the professional portrait shots I used to take. 

Change comes hard. Thank you, technology, for still making photography an option.